Copyright

Litigation

Law Reform

TekSavvy Solutions Inc., the ISP targeted by Voltage PIctures in its motion for the identities of roughly 2000 subscribers whom Voltage alleges have infringed copyright in Voltage films, has succeeded in its appeal of its cost award in that motion.  In an earlier motion, TekSavvy had been awarded $21,577.50 as its "reasonable legal costs, administrative costs, and disbursements".  On appeal, that figure was raised by an additional $11,822.50. 

As a result of this decision, and assuming the parties seek no further appeal, after paying these costs to TekSavvy (assuming it chooses to do so), Voltage will be in a position to provide a draft of proposed communications to targeted Subscribers and request the Court to convene a case conference with the Federal Court Case Management Review judge to approve the contents of the letter. 

In a 7-2 decision, the Court upheld the Copyright Board's decision to characterize broadcast-incidental copies as "reproductions" for the purposes of the Copyright Act, but overturned the Board's method of calculating fees payable for such activities.  The majority found no reason to depart from long-standing caselaw on the character of ephemeral copies as reproductions for the purposes of the Act, and concluded that the separation of synchronization and broadcast‑incidental licences does not offend technological neutrality or impose new layers of protection or fees based solely on technological change.  However, the majority concluded that the Board failed to consider the principles of technological neutrality and balance in valuing the ephemeral licence.  The Court concluded that balance between user and right‑holder interests requires that the Board assess the respective contributions of the user and the copyright‑protected works to the value enjoyed by the user.

CIPPIC and a number of other civil society groups and experts has put out an open letter to Industry Minister James Moore, highlighting a roadmap for how to fix a number of loopholes in Canada's Notice-Notice copyright regime. The Notice-Notice regime was enacted with the objective of creating a minimally intrusive mechanism for rights holders to contact alleged infringers. However, it is being exploited by some rights holders to send settlement demands that are unreasonable. Typical abusive notices include extravagant demands for damages well in excess of what would be available under Canada's Copyright Act, and might be sent without meaningful corroboration that the threatened recipient is actually the rights infringer. Some also include threats that the recipient will have her Internet access account terminated if they do not pay up. Third parties often flood ISPs with notices in a 'scattershot' approach not designed to facilitate an actual lawsuit based on proof of wrongdoing, but rather to encourage recipients to pay in order to make the matter go away - a highly questionable monetization technique. While rights infringers should not be able to hide behind ISPs in order to justify conduct, the current model is being abused to inappropriately threaten individuals who, often, have done nothing wrong at all.

CIPPIC is intervening an important Supreme Court case about copyright and technological neutrality. CBC v SODRAC concerns royalties payable by broadcasters for digital copies of music embedded in the production and broadcast of television programs. The Court’s decision could have implications for the way in which all Canadians access and pay for digital content, including music, movies and television programs, e-books, and many other online materials.  Professor Jeremy de Beer and CIPPIC Director David Fewer will appear in the case on behalf of CIPPIC. The hearing takes place on Monday, March 16, 2015, and will be webcast. Common Law students Jillian Brenner, Chelsey Colbert, Parineeta Chahal, Tracey Doyle, Laura Garcia, Grace Ko, Laura MacDonald, Samantha Peters, Sadegh Fattah, Laura Garcia and Mayuran Sivagurunathan have all assisted in preparations for the case.

CIPPIC has been granted leave to intervene before the Supreme Court of Canada in CBC v. SODRAC.  The case involves the interpretation of the reproduction right and its application to so-called "ephemeral copies" - copies of works for the purposes of facilitating the creation and transmission of broadcasts.  CIPPIC's intervention will focus on the role of the principle of technological neutrality in interpreting the reproduction right.

The Federal Court has heard Teksavvy's motion for "all reasonable legal costs, administrative costs and disbursements" arising from voltage's order that Teksavvy disclose the identies of those of its subscribers whose IP addresses Voltages alleges that it has identified downloading copyright materials.  The motion springs from Prothonotary Aalto's February 20, 2014, decision granting Voltage a Norwich order compelling Teksavvy to provide requested subscriber information provided that certain conditions and safeguards were met.  One of those conditions involved Voltage's payment of Teksavvy's "reasonable legal costs, administrative costs and disbursements".  Teksavvy has submitted a bill of costs in the amount of $346,480.68.  voltage opposes the amount as "outrageous".
 
Teksavvy's Record

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Introduction

In 2002, the European Commission and the Government of Canada agreed to “design a new type of forward-looking, wide-ranging bilateral trade agreement covering…new generation issues and outstanding trade barriers.”
 
On May 6, 2009, Canada and the European Union (EU) announced the launch of formal negotiations towards the new trade and investment agreement, the Comprehensive Economic and Trade Agreement (CETA).
 
CETA is intended to build upon previous economic cooperation agreements between Canada and the EU, starting with the 1976 Framework Agreement for Commercial and Economic Co-operation, as well as the 1998 EU-Canada Trade Initiative.
While the scope of CETA is broad, this F.A.Q. will focus on intellectual property issues.

 

The Anti-Counterfeiting Trade Agreement, or "ACTA", is a controversial trade agreement negotiated by a number of nations, including Canada. ACTA addresses standards of enforcement of intellectual property rights. ACTA's content has the potential to impact civil liberties and divert public resources towards the enforcement of private rights.

Bill C-61 was a bill to amend Canada's Copyright Act. The bill died on the order paper with the election of 2008. However, the present government has indicated in its Throne Speech that it intends again to introduce legislation to amend the Copyright Act. Accordingly, we keep this FAQ available to the public.

Over the past few years, file-sharing - i.e., the sharing of files over peer-to-peer (P2P) networks - has become a popular way for music lovers to sample and gather music from a wide range of performers. However, most of the music downloaded and shared by consumers is copyrighted and hence, subject to laws limiting the rights of consumers to reproduce and distribute it.

Digital Rights Management (DRM), also sometimes called ECMS, or electronic copyright management systems, are technologies designed to automatically manage rights in relation to information. This can include preventing copyright works and other information from being accessed or copied without authorization and establishing and enforcing license terms with individuals.

Copyright is a system of laws for promoting both the creation of and access to artistic, literary, musical, dramatic and other creative works. It is usually presented as a balance between promoting the public interest in the encouragement of the creation and dissemination of works of the arts and intellect, and obtaining a just reward for the copyright holder

The broadcast flag is a Digital Rights Management (DRM) system for controlling consumer treatment of high-definition television (HDTV) broadcast content.

Bill C-60 was a proposal to amend Canada's Copyright Act. The Bill died on the order paper with the fall of the Martin government in 2005. However, the issues that motivated the government to table this Bill remain with us.

On March 4, 2004 the Supreme Court of Canada released its decision in the case of Law Society of Upper Canada v. CCH Limited [2004] S.C.J. No. 12, (2004) 236 D.L.R. (4th) 395 holding (i) that the Copyright Act's fair dealing exception should be liberally interpreted to prevent undue restraint of users' rights and (ii) that the provision of self-service photocopiers does not equal an infringement of copyright.

The Supreme Court of Canada heard arguments on Dec.3, 2003 from Internet Service Providers (ISPs) and music industry representatives in an important case that will decide, among other things, the extent to which Canadian ISPs are liable for content flowing through their networks, and the extent to which foreign actors who target communications to Canadians may be liable under the Canadian Copyright Act.

Edit:   Decision released! (November 26)
 
In a 7-2 decision, the Court upheld the Copyright Board's decision to characterize broadcast-incidental copies as "reproductions" for the purposes of the Copyright Act, but overturned the Board's method of calculating fees payable for such activities.  The majority found no reason to depart from long-standing caselaw on the character of ephemeral copies as reproductions for the purposes of the Act, and concluded that the separation of synchronization and broadcast‑incidental licences does not offend technological neutrality or impose new layers of protection or fees based solely on technological change.  However, the majority concluded that the Board failed to consider the principles of technological neutrality and balance in valuing the ephemeral licence.  The Court concluded that balance between user and right‑holder interests requires that the Board assess the respective contributions of the user and the copyright‑protected works to the value enjoyed by the user. Factors relevant to this balance include:
  • the risks taken by the user,
  • the extent of the investment made by the user in the new technology, and
  • the nature of the copyright protected work’s use in the new technology.

National Post/Warman v. Fournier, Federal Court of Appeal, File Nos. A-394-12 & A-395-12

Voltage v. Doe, Federal Court, 2013

CIPPIC has filed a Statement of Defense on behalf of its client, Geolytica, in response to a lawsuit filed by the Canada Post Corporation in the Federal Court of Canada (File No. T-519-12) claiming that it owns copyright in its database of postal codes and that Geolytica has infringed that copyright by "crowd-sourcing" data for its own database of postal codes mapped to street addresses.

The case raises fundamental copyright issues, including the scope of protection afforded compilations of data, the subsistence of copyright in factual address identifiers such as postal codes, and the availability of defenses such as fair dealing to developers of research tools such as Geolytica's Canadian Postal Code Geocoded Dataset.  The case will have significant implications for downstream innovators and analysts looking at using datasets for research and to facilitate the research of others.

 

Copyright Pentalogy (SCC, 2012)

Following through on its threat, the Canadian Recording Industry Association (CRIA) launched a lawsuit in the Federal Court (Trial Division), in Toronto Ontario, on February 10, 2004 against 29 unnamed alleged music file-sharers.

Canada's 2010 Digital Economy Consultation

To better understand the basics of copyright law, Prof. Samuel E. Trosow (Western Ontario University)
presents to us his master class: Introduction to Copyright Law and prospects for new legislation.

In 2005, parliament considered revisions to the Copyright Act in order to ensure that Canada's copyright framework remained relevant in the rapidly changing digital environment. The Canadian government introduced a long-awaited bill to amend the Copyright Act on June 20, 2005.
On November 3, 2004, CIPPIC Associate Alex Cameron presented a brief to the Senate Standing Committee on Social Affairs, Science and Technology on Bill S-9, proposed amendments to the Copyright Act that would give photographers first ownership of copyright in the photographs they take.

As Parliament considers legislated protection of Digital Rights Management (DRM) technologies (designed to detect and stop copying of digital works), the Privacy Commissioner of Canada has indicated her intent to "initiate a dialogue" with the departments of Heritage Canada and Industry Canada "to ensure that privacy risks" associated with any copyright legislation "are addressed." Some of the Commissioner's provincial counterparts have signaled their support of her initiative.

On May 12, 2004 the Standing Committee on Canadian Heritage, chaired by Sarmite D. Bulte, M.P. released an interim report listing a number of recommended reforms to Canadian copyright law. The first round of hearings for the report were launched in October 2003 where the Committee heard from a panel of invited witnesses including representatives from Canadian Heritage, Industry Canada, the Canadian Internet Policy and Public Interest Clinic, the Canadian Association of Internet Providers and the Canadian Motion Picture Distributors Association among others. As a result of these consultations, the Committee came up with a number of recommendations.

The Canadian government is considering amending Canada's copyright law. CIPPIC is greatly concerned with the proposals and recommendations contained in the Standing Committee on Canadian Heritage's Report on Copyright Reform.

In September 2003, the House of Commons Standing Committee on Canadian Heritage ("Heritage Committee") began its review of the Section 92 report published by Industry Canadain October 2002.